Printmaking

Works on paper extend the investigation of the interior into a more immediate, material register, where the image is formed through direct contact with surface rather than photographic construction.

Resolutions

Material Gesture I
Relational Surface I

While the photographic works construct interior relationships through light and spatial arrangement, the works on paper return these concerns to the surface of the image, where gesture, mark and material contact become central.

Explorations

The emphasis on material contact recalls a sensitivity to the everyday object, where value emerges through use, touch and presence.

Compositions

Interior Mark I
Relational Surface II

In this way, the works on paper return the project to the immediacy of making, where the interior is not only constructed but physically encountered and held in material form.